- Duke of York’s March Performed by Anon.
- “Menuet in D minor, BWV Anh. 132” Performed by Anon.
- “Ouverture in F (Suite), BWV 820: 3rd and 4th movements, Menuet and Trio” Performed by “Bach, J. S.”
- “Ouverture in F (Suite), BWV 820: 6th movement, Gigue” Performed by “Bach, J. S.”
- “Prelude and Partita in F, BWV 833: 4th movement, Sarabande” Performed by “Bach, J. S.”
- The Pilgrim Performed by “Barrett, J.”
- Gavott in C Performed by John Blow
- Sarabande in F minor Performed by BŠhm
- Saraband in A minor Performed by Bryne
- Sarabande in F Performed by Chambonnieres
- Aire In C Performed by “Clarke, Jeremiah”
- The Prince of Demnark’s March: Round O Performed by “Clarke, Jeremiah”
- “Premier Air pour la Suite du TrophŽe, from 21st Ordre, ‘Pieces de Clavecin’, Book 4” Performed by “Couperin, F.”
- Branle de Baseuq Performed by “Couperin, L.”
- Minuet in G minor Performed by Croft
- Scotch Tune Performed by Croft
- “Suite No. 4 in C: 9th movement, Suite de la RŽjouissance: Gavotte en Rondeau” Performed by Louis-Claude Daquin
- Corrente prima in D minor Performed by Girolamo Frescobaldi
- Menuet in G Performed by Christoph Graupner
- Aire in A Performed by “Greene, M.”
- “Impertinence, HWV 494” Performed by George Frideric Handel
- Saraband in G Performed by “Lawes, W.”
- “Menuet in F, from ‘Pieces de Clavecin'” Performed by “Le Roux, G.”
- “Gavotte in C, from ‘Les Pieces de Clavessin'” Performed by Lebgue
- Alman in G Performed by Locke
- The Simerons Dance Performed by Locke
- “Menuet en Rondeau in G minor, from ‘Pieces de Clavecin’, Book 2” Performed by “Marchand, Louis”
- “Suite No. 12 in F minor: 4th movement, Sarabande” Performed by “Mattheson, Johann”
- Aria In D Performed by Pasquini
- “Arias in C, C and G (3)” Performed by Pasquini
- Menuet in G (BWV Anh. 114) Performed by Petzold
- Menuet in G Minor (BWV Anh. 115) Performed by Petzold
- “A New Irish Tune, Z. 646” Performed by “Purcell, H.”
- “Jig in G minor, Z. T686” Performed by “Purcell, H.”
- “Minuet in A minor, Z. 649” Performed by “Purcell, H.”
- Prelude in C for the fingering Performed by “Purcell, H.”
- “Song Tune in C, Z. T694” Performed by “Purcell, H.”
- “Suite No. 1 in G, Z. 660: 1st movement, Prelude” Performed by “Purcell, H.”
- “Menuet en Rondeau in C, from ‘Pieces de Clavecin’ 1724 rev. 1731” Performed by Jean-Philippe Rameau
- Ayre In C Performed by “Rogers, B.”
- “Sonata in D minor, Kp. 34, L. S7 (Minuetto/Larghetto)” Performed by Alessandro Scarlatti
- “Aria in G, from ‘Der getreue Music-Meister'” Performed by Georg Philipp Telemann
- “Fantasia in A minor, 3rd Dozen, No. 8: 2nd movement, Minuetto” Performed by Georg Philipp Telemann
- “Fantasia in D, Third Dozen, No. 10: 2nd movement, Dolce in D minor” Performed by Georg Philipp Telemann
- “Fantasia in F minor, First Dozen, No. 4: 2nd movement, Dolce in G” Performed by Georg Philipp Telemann
👍 巴洛克键盘作品集 1 (Baroque Keyboard Pieces Book 1) (全套五册)
推荐、4-5 级、学习巴洛克风格必备的乐谱!
教学上，小编非常喜欢给学生弹奏巴洛克时期作品，因为
1. 复调作品不管什么时后都是好的教学作品，他们要学著听双手的声音
2. 一般手指夸度不会太大，比较适合学生
3. 很多装饰音，装饰音可以训练快速弹奏几个音符，是很好的手指练习
4. 训练品味，品味的东西，只能以时间累积
5. 很多东西弹的会跟乐谱不同，需要丰厚的知识累积
这套作品，就学习巴洛克时期作品来说，应该是最好的一套教材 (至少就看过的全部教材来说)，很难有之一，因为
1. 收录很多不同作曲家。这个时期，不同作曲家会用不同的记谱法，有很多平常少见的装饰奏记号
2. 有很多建议，让老师/学生不懂可以学，像是建议装饰音该怎么弹，那些不常见的符号该怎么弹，跟谱上记谱不一样的时后要怎么弹，等等
3. 就算同一种装饰音符号，不同作曲家弹法不同，甚至同一个作曲家，同一个符号，弹法都会不同。这个编辑者的建议相当的好，多弹才能建立对装饰音的品味
4. 选曲很丰富，会认识很多作曲家
相当好的一套教材，个人认为就算专业院校的学生都应该要弹过，慢慢的积累自己对装饰音、对巴洛克时期音乐风格的品味。属于应该要人手一套的教材，极度重要，极度好。
全套商品 (购买全套可享折扣)
👍 巴洛克键盘作品集 1 (Baroque Keyboard Pieces Book 1) (全套五册) 有 4 个评价
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马召君 –
黄老师推荐的不会错啦，刷新了复调只弹巴赫的三观，很好听，超好听
五柳小姐 –
很不错哦，不同的舞曲
看完boss好睡觉 –
逛逛……竟然发现还有漏掉的评论，……补上！好听！！！
淡幽 –
巴洛克的曲子都好听